Sports, concerts, festivals and corporate broadcasts. We bring the technical systems and production expertise together so every camera, cue and feed has a place.
From a mobile unit and prepared flypack to a full technical production team, the package follows the needs of your show.
Plan your productionThere’s another side to every show.
The lights. The atmosphere. The perfectly timed cue.
Behind it all: people and technology working together.
Real projects. Both sides of the experience.
Explore TCP’s venue lighting work for the Tampa Bay Rays and the production environment inside our BOLT systems.
Multicamera coverage, cinematic and broadcast camera workflows, live switching and recording.
Replay, graphics integration, program feeds and transmission planned together from the start.
Production audio, lighting, intercom and show control aligned with the rundown and the operators.
Define the crew and system requirements with our team. Rent a prepared package or have TCP support the production.
Production in motion
An inside look at a production team working at the controls. The equipment and the operator workflow belong together.
A closer look
The audience sees one production. Behind it are different camera looks, crew positions, audio mixes, recordings and destination feeds that all need a clear plan.
Start with the action, the venue and the way the show should feel. Develop camera positions and coverage around the production, then identify lensing, signal paths, monitoring and communications requirements. A concert, a sporting event and a live interview each ask different things of the system.
Plan switching, replay, graphics, audio and crew communications around responsibilities and the rundown. Confirm how production, stage and venue teams exchange cues. Define which positions are supplied by TCP and which are provided by your team or another production partner.
An in-room screen, a stream and a recording may need different pictures, graphics or audio. Agree formats, destinations, handoff points and any clean or program feeds before the event. Include the receiving party in the plan so delivery is tested as part of the whole production.
Allow time for load-in, camera checks, communications, output verification and rehearsal. Confirm the changes that matter before the show starts, then define recording and media handoff requirements for after the event. Equipment, staffing and support are scoped to the production.
Before we begin
Get a clearer picture of the engagement before you commit to a direction.
Yes. Discuss the roles you already have covered and the technical or production responsibilities you need TCP to provide. Clear ownership makes the combined team more effective.
It can be designed that way. Tell us how the audiences and deliverables differ so the required switching, audio, graphics and output paths can be included.
Dates, venue, schedule, audience destinations, camera requirements, crew needs and recording expectations. A rundown or reference production is helpful when available.
Lighting, show control and room acoustics shape how an audience experiences a venue. Talk with TCP about lighting design, programming, control integration and acoustic requirements for your space.
Plan your venue ↗Start with the date, location, audience and the feeds you need to deliver.
